My Conspiracy After Re-reading Daddy and The Bell Jar

    When I first read Sylvia Plath’s poem “Daddy,” I was extremely shocked by its use of Nazi and Holocaust imagery to describe her relationship with her father, comparing him to a Nazi and herself to a Jewish victim. It took me some time to get over the shock and confusion of why she chose to write this way, since I had pictured Plath as a really demure, kind, and gentle lady. But as I thought about this, I decided to do a little research into her life and take a closer look at The Bell Jar and “Daddy” side by side. From The Bell Jar and the discovery of Ted Hughes’s affair with Assia Wevill, to “Daddy,” I began to see it as a layered act of revenge, or at least some kind of silent confrontation, or silent acknowledgment. It made me wonder : What if “Daddy” is not only about her father, but about the three figures who wounded her most- her father, her husband, and the woman with whom he betrayed her?

    In The Bell Jar, Plath’s protagonist, Esther Greenwood, describes her father’s death as a defining trauma. She confesses, “I thought how strange it had never occurred to me before that I was only purely happy until I was nine years old” (Plath 39). While she was able to experience him for some years, she feels his absence. Even though her father did not choose to leave her, he did die, and that emotional abandonment takes on a deeper role in “Daddy.” It becomes a kind of fury: “Daddy, I have had to kill you.”

    The shocking Nazi and Holocaust imagery in “Daddy” intensifies this. Plath writes, “I began to talk like a Jew. / I think I may well be a Jew.” She portrays herself as a victim and the father as a tyrant : “I have always been scared of you.” At first, I thought this was only about her father. But after some digging into her life and the events that took place in the 2 years before her death, it got me thinking. 

    Assia Wevill was born in Berlin to a Jewish family and fled Nazi Germany as a child before settling in Britain. I found this connection striking. In “Daddy,” Plath associates the male figure with Nazism, yet the woman who had entered her marriage was herself a refugee from the Nazis. Even though Wevill herself was Jewish and a refugee from the Nazis, it is possible that Plath still viewed her as a kind of oppressor in her own personal life. Instead of openly naming Hughes or Wevill, Plath turns this into an extreme metaphor.

    The name “Esther” deepens the conspiracy. Assia’s middle name was Esther. Plath’s protagonist in The Bell Jar, written in 1961 before she discovered the affair in summer 1962, is also named Esther. Chronologically, this appears coincidental. It is also possible that Plath had considered other names for her protagonist but ultimately chose “Esther” because it felt right for the character at the time. Even though the novel is semi-autobiographical, the name is not Sylvia. In the novel, Esther feels trapped: “I felt like a racehorse in a world without racetracks” (Plath 40), and most famously, she describes life under the bell jar as suffocating and distorted.

    What if Esther (Wevill) is not the trapped one, but the one who “controls” the jar? What if Plath is the glass itself; rigid, enclosing, unable to bend or escape while another Esther moves freely outside? Instead of naming her husband directly, especially since he was publicly known, Plath could be using the name “Esther” as an indirect reference. It’s a name hidden in plain sight that only a few would recognize.

    When Plath ends the poem with, “Daddy, daddy, you bastard, I’m through,” it feels less like silent grief and more like a final break. Because she never names the affair directly, the war imagery could act as camouflage for the feelings she associates with it.

    Maybe these connections are just coincidences, or maybe they show patterns that Plath did not even fully realize herself. The strict father, the Nazi imagery, the name Esther, and the idea of the bell jar all seem to echo each other in more than one way. Of course, I might be getting a little ahead of myself, but these are just my thoughts and interpretations. 

I would really love to hear what you think!

Comments

  1. Hi Bincy,
    I can tell that you put a lot of research and thought into this analysis! The fact that Wevill shares a middle name with the protagonist of The Bell Jar seemingly by coincidence is really interesting and kind of chilling. I was also thrown off by the Holocaust imagery in "Daddy." I understand that Plath's fathers' death was a very traumatic part of her life, but Plath's insistence on villainizing her father because of it is still confusing to me. It's almost as if Plath thinks that her father died on purpose (although as far as we know, that isn't the case; this doesn't seem to be a Fun Home situation). I think that the interpretation with Plath's husband is more fitting for the tone that she expresses throughout the poem. Also, I'm not sure about Esther in The Bell Jar representing Wevill. I think Esther is still meant to represent Plath herself and her personal feelings of suffocation under The Bell Jar. Still, I think your interpretation raises some good points about how Plath's external life during the writing of The Bell Jar affected the framing of the story and characters.

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  2. Hi Bincy, this blog presents a super interesting theory. I did my own blog on analyzing "Daddy" and I wasn't able to answer the question of why Plath decided to use Nazi imagery. However, it seems that you have really connected the dots here to give a plausible reason as to why this imagery (which also appeared in "Lady Lazarus") was used. "Daddy" is quite an intense poem and the writing just seems to be filled with so much emotion. After reading your blog, I think I know where a big portion of Plath's emotions came from.

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  3. Hi Bincy, this is so interesting! I wasn't particularly interested in Sylvia Plath's poems at first, but all this subtext and comparing it to the Belljar is really intriguing. Sylvia seems to have some parallels to Esther where her worldview becomes distorted after experiencing a lot.

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  4. Hi Bincy! WOW this is a very interesting theory, I really like it! This does kind of parallel all the other Nazi imagery in her other poems as well, and uses the idea of Sylvia taking her personal life and using it in her work. Her middle name being Esther is kind of pivotal in this theory. I'm wondering if that is too far of an analysis, but I do think the Nazi aspect may have had some effect. You make some really interesting points, and I'd really love to know more about it.

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  5. What an interesting idea that Esther may be a metaphor for the traitors in her life! In that case, do you see The Bell Jar as a revenge story of Sylvia suffocating her betrayers? What do you take the recovery story as?

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  6. Hi Bincy! I was very intrigued when reading about your theory on Daddy and The Bell Jar. After reading her poem at first, I never looked that deep into it and certainly would've never thought about all these hidden messages behind it. I especially liked the part where you said that Wevill is the one controlling the jar and Plath is the rigid glass itself. Great analysis!

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  7. Hi Bincy! This was a really interesting read and it seems you went deep into your research for this one. The idea of TBJ and "Daddy" being made as a response to specific people in her life puts a whole additional level to the story which would otherwise be looked at as an isolated mental health crisis. When I was reading the poem, I thought the Nazi imagery was just for shock value; your definitely makes a lot more sense and shows the intention behind Plath's writing

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  8. Hi Bincy! This is a really good blog! I think it's amazing the amount of research you did. When we read Daddy I found it to be really odd and disturbing, but it makes sense that Plath would use someone like Wevill as a metaphor for herself. Plath seems really in touch with her feelings and how to express them in deep and unusual but intellectual ways. Really great job writing, it was really fun to read.

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  9. I've always read "Daddy" as being more about Plath's dissolving marriage to Ted Hughes than about her father, who is depicted in much more positive terms in the novel (see the scene where she weeps at his grave, or when she says she hasn't really been happy since she was nine and he was alive). In my reading (bolstered by yours), the whole thing moves toward the ending, with the "vampire" who "replaces" her father and then drains her and leaves her for dead. I was unaware of the details about Hughes's mistress, though--it sure puts the "nuclear" Nazi imagery in a new light when we realize that the German-descended Plath is depicting the man who has betrayed her for this other woman as a Nazi and his victims as Jewish.

    I don't know what to make of these revelations about the potential significance of the name Esther. Could this also be a coincidence? The experiences in the novel, with the Plath figure suffering a mental health crisis and recovering after treatment, track too closely to Plath's own experiences for me to see her as fantasizing about trapping and tormenting Assia Wevil.

    There is that moment in the novel when Esther is contemplating writing her own novel, and she chooses the name "Elaine" for her protagonist, who would be "myself, only in disguise." She notes that, just like "Esther," Elaine has six letters. A simple finger count reveals that the name "Sylvia" also has six letters. It does seem likely that Plath here is giving us the key to how she chose the name for "herself" in her own novel, although it is a wild coincidence that the name she'd chosen comes back into her life soon in unexpected ways.

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